I've been thinking about this. So Jessie, I'd love for you to tell us about the project that you're working on and what inspired you to do this project and who's involved in it with you? In Japan and other countries, people might think the way I rap is kinda cool. Because I had the vision of, you know, what happens when your 12 year old or 13 year old son walks in and says maybe to his father or even to his mother but mostly to his father, like hey, I made out with this girl, or hey I made out for the first time or whatever whoever I had that experience with. And so then that becomes synonymous with a certain kind of privacy, like we don't talk about that. Because if we're given that ability to feel that, then you can say to your children from day one when you're nursing them or when you're feeding them or when you see your son, like at his tiny age playing with his penis, and even young girls and when you see a little girl sometimes sitting on the ground and she's moving her hips back and forth and there's you know it feels good. I can say it and in the process of doing that, and then you publishing these other women are reading this going OK. At that time I started working with a really formidable Taiwanese electronic music producer named Sonic Deadhorse. It's now a part of you and it's becomes the thing that it's like the overcoming. Emma Koenig reading anonymous essay from 60 year old woman:
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Aristophanes' own songs are chock full of the syrupy, idiosyncratic productions and poetic lyrics drawn from her deep interest in literature and classic philosophy, made in collaboration with producers she finds on—where else?
Yeah it's just it's been really interesting that this has brought up all those sort of questions. It involves a businessman in a hotel, a bed of stuffed animals, and Aristophanes rapping from a TV screen. And it makes me think of the work that you do, Alex, and the work that I do, because we're birth workers and so, I mean birth is the template and the philosophy for life in my opinion because that's your entry into this world, a series of contractions and expansions, right?
There is a lot of drawing from my life, Jess's life and you know the people we've spoken with and it's becoming real as we're making it. But once she got on stage to perform "Scream," she transformed into a punk rock wild child, thrashing around and delivering her lines in Mandarin with electrifying angst. Which was very different than how I dealt with it.
Which was very different than how I dealt with it. So I think it's at every age of our life no matter how much experience we have or or where we are in our growing process, we have to just approach sex with a lot of tenderness.